Emperor Cinemas: Redefining Temporal Architecture in the Film Experience Era. Breaking free from the conventional "pre-screening waiting – viewing – post-screening exit" time fragmentation, Emperor Cinemas pioneers a 360° Cinematic Life Cycle that amplifies temporal value density by 300%. This paradigm shift dissolves the physical boundaries of traditional cinema through spatial storytelling, transforming passive spectatorship into an orchestrated emotional odyssey.

Studio City Phase 2 in Macau offers more than just a cinematic experience; it introduces a new design language that combines technology, materials, and spatial storytelling. Designed by OFT Interiors under the creative direction of CM Jao and Ken Cheung, this ambitious project also includes contributions from Japanese lighting designer Koichi Tanaka and Lightlinks International. It masterfully merges form, function, and innovation. Each element of the space engages the senses, creating an environment that blurs the boundaries between architecture and performance.

The project serves as the exhibition center for the world’s largest and China’s highest ski resort, featuring a top-tier Four Seasons Ski Resort. It is a landmark architectural structure. Through the design language of "ice, snow, and light," the exhibition hall is crafted as a symbolic landmark that embodies the harmony between technology and culture. It seamlessly transitions from a sales center to commercial use, providing the project with long-lasting economic and operational value.  The inspiration for this project stems from the natural wonder of glaciers, as well as profound reflections on snow culture and climate protection. The design team aims to raise public awareness of the beauty of nature and sustainable environmental development through the surreal expression of the "Ice and Snow Mirage" in space, while providing an immersive and artistic experience.