2025 Architecture Shortlisted
A house on the Rias Coast by no.10, NOMURA Co., Ltd. (Japan)
BIJOUPIKO Fukui by ODS / Oniki Design Studio (Japan)
Big Red Crayfish by Dayi Design (China)
Taipei Weather Station by IMO Architecture + Design / JC Cheng & Associates, Architects & Partners (Taiwan)
DAISHINKU CORP. HEADQUARTERS AND PLANT by OKUMURA CORPORATION + MR STUDIO Co.,Ltd. (Japan)
Osaka Metro Chuo Line : Yumeshima Station by Yasui Architects & Engineers, Inc. (Japan)
The Alleyway House by Q-LAB (Taiwan)
HOUSE by Jindesign Co., Ltd. (Japan)
HOUSE by Jindesign Co., Ltd. (Japan)
At the core of the design are the renovation of an existing glass-gabled building and the construction of a new structure behind it. The renovated building was restructured to emphasize openness and visual continuity. Previously, the abundance of interior and exterior elements prevented the full utilization of the glass façade. Therefore, unnecessary interior elements were removed, and exterior equipment was relocated to ensure clear sightlines. This created a space where children can run freely while being safely watched over. In front of the building, a lawn seamlessly connects with the sidewalk, allowing visitors to enter the premises naturally.
The Alleyway House by Q-LAB (Taiwan)
The Beitou area of Taipei, Taiwan is a testament to the cultural legacy left by the early Japanese merchants, with its serene alleyways and rich historical connections. The design of this project celebrates the area’s distinctive cultural essence and historical significance, together with the understated choice of materials and design language, it creates a harmonious environment that honors the unique character of this region, enriching its sense of place, both exteriorly and interiorly.
Osaka Metro Chuo Line: Yumeshima Station by Yasui Architects & Engineers, Inc. (Japan)
Design Concept: “i-sekai-gekijo” - A station that conveys the appeal of movement and the pulse of life because the “railways and stations” have moved people and towns until now, we chose the theme of “movement” to convey the movement of life, or “life itself”. We aimed to create a place where visitors could experience movement and travel, and feel the diversity and pulse of life, just like a theater where visitors can watch a story. We designed a “vibrant and moving station”where people are led through a variety of scenes created with a design rooted in Japanese culture, and where there are new discoveries every time you visit.
A house on the Rias Coast by no.10, NOMURA Co., Ltd. (Japan)
The site overlooks the Sea of Japan in front of the house, and the entire area is known as a scenic spot with its intricate Rias coastline and dynamic topography known as “cave gate”. On the other hand, if you look at the surrounding area, you will find a labyrinth of alleys that create a unique townscape. This is a unique feature of the area, which has a square-shaped configuration called “Masu-gata” with cranked intersections to prevent northerly winds from blowing through.
Big Red Crayfish by Dayi Design (China)
This project is situated on the banks of Nanjing's Qinhuai River, immersed in the traditional lifestyle that has characterized this southern city for generations. The area's quaint architectural ensemble offers a window into its vibrant past and exudes an atmosphere rich with cultural depth and the lively essence of everyday life.
Tasked with transforming a 2,000 square meter site into a crayfish-themed dining and commercial space, this historic monument renovation project adheres steadfastly to principles of maximum preservation and sustainable, long-term architectural practice.
DAISHINKU CORP. HEADQUARTERS AND PLANT by OKUMURA CORPORATION + MR STUDIO Co., Ltd. (Japan)
DAISHINKU CORP. is a leading Japanese company engaged in the manufacturing and sales of quartz devices, including quartz oscillators. This project aims to create a smart factory that integrates headquarters and plant on a site adjacent to the existing Central Laboratory. The exterior design is inspired by stacked crystal chips. Five layered rectangular volumes of different sizes represent Daishinku's history of technological innovation and its future growth. The subtly ascending, randomly arranged sliced volumes represent the company's history of technological advancement and growth, resulting in a dynamic and memorable design. The shifting shadows and varying appearances created by the offsets between the layered volumes recall how crystal subtly deforms under pressure and temperature changes, yet retains a stable frequency. This effect realizes a space where science and design harmonize.